Unfinished Library Mod & NPC Account (
libraryassistants) wrote in
unfinishedlibrary2026-03-27 07:21 pm
Entry tags:
- !library,
- blade runner: kd6-3.7,
- blue prince: denny revane,
- bram stoker's dracula: mina harker,
- good omens: crowley,
- maidensong magica: claire ryland,
- original: illarion,
- persona 5: sumire yoshizawa,
- the murderbot diaries: murderbot,
- the wonders of mundus: hikaru aozora,
- the wonders of mundus: siobhan greenwood,
- to be hero x: nice,
- to be hero x: wreck,
- to be hero x: x,
- tortall: hisako godsup,
- ~moonlit rivals
so good night unto you all - LIBRARY RETURN
Who: The Editors, one and all
What: The fight is over, the pieces remain... and the Editors head back 'home'
When:Dawn of the Final Day Sunrise after the attack
Where: Leaving Montica, back to the Library
Content warnings: Please make sure to put CW in headers!
By the time morning comes around again, the fires are beginning to die down, thanks to the many efforts of the citizenry to keep them under control. The rebel vampires too have been largely dealt with. These two seemingly insurmountable obstacles were only possible thanks to a combination of factors: the Umbra not being as blind to their human servants as their opposition would have thought, defectors from the Orlocks who were able to counter-act some of their magic, the following Amalia gathered and deployed from Laurelthirst, some suspicious (though welcome) help from suspiciously new arrivals, and of course, House Guildulf throwing their own into the fray to ally with the vampires for this confrontation.
A unity the likes of which Montica has never truly seen.
As the sun rises, there are few left who are able to fight at all; the rebels are beaten, and even the forces built up by both the vampires and werewolves are exhausted or diminished, leaving no one able to take advantage. Citizens of both sides flee indoors, and the remaining rebels are forced to vanish into the woods once more, weakened and unable to strike again any time soon. But there are still repairs to be done, physically and otherwise. Will this unity last beyond tonight? Will young love and youthful hope prevail? Those are the questions that settle over a weary Montica, as light pours into the city once more.
And then, the world begins to fade, static taking over the senses, as the Editors return to the Library.
Welcome back, Editors
It looks much the same as they left it, though the makings of a masquerade are no longer arranged as finely, a few scorch marks here and there, and for some reason there’s some amazing optical illusions on the floor panelling that makes them look like actual manhole covers. Alas, no sewers lay beneath. It may still take Actors a bit of time to shake off the old-new memories, and for some reason the fluorescent lighting seems harsher on the skin than it has any right too. Good thing that the stacks cast long shadows.
The customary tea cart is set up in the Lobby again, and it seems some improvements have been made. The coffee still isn’t strong, but’s far more drinkable than it has been, and there’s an added decaf option now! The tea has still been overstepped, and the stale cookies have been replaced by scones that are hard as rocks, but clearly someone’s getting the message that there are improvements needed. Clearly the tea cart was the place to start.
If someone for some reason doesn’t want stale scones, there’s also a child sized food truck in the lobby, with a sign out front boasting a variety of tamales, including: black beans and cheese, birria, chicken, fire scorpion, man suffering to death via battle wound, and beef. Upon approach, what look like fuzzy puppets pop up to… take your order? They don’t say much, or rather, they make a single noise over and over that seems to be them communicating, but the tamales are good. Just… don’t try to look in the truck. They’ll screech, vanish, and then no tamales for you.
Meanwhile, the bulletin board has a cheerful sign decorated with colorful blocks, declaring: “Join us in the Children’s Area for Lego Club!” Upon locating the room in question, Editors will discover boxes among boxes of legos of various shapes and sizes. There are some ‘how to’ guides for various builds (including a ‘research space ship’ and a ‘vampire’s castle’), but also plenty of encouragement for people to make their own creations! Unlike normal creations, these will actually stick around for a while after they’re finished, and there’s a nice little table where people can display and share what they’ve made.
The Assistants, it seems, are nowhere to be seen: the ‘back in 5’ sign is still in place at the help desk. Still, even without their ‘helpful’ guidance, some facets of the Library may come more easily to some in the aftermath of Montica’s troubles.
[Due to the resolution of the Story, any skills tagged Archivist in the skill tree cost one less skill point (minimum of 1) until the next Story. This can stack with a normal Archivist bonus!]
What: The fight is over, the pieces remain... and the Editors head back 'home'
When:
Where: Leaving Montica, back to the Library
Content warnings: Please make sure to put CW in headers!
By the time morning comes around again, the fires are beginning to die down, thanks to the many efforts of the citizenry to keep them under control. The rebel vampires too have been largely dealt with. These two seemingly insurmountable obstacles were only possible thanks to a combination of factors: the Umbra not being as blind to their human servants as their opposition would have thought, defectors from the Orlocks who were able to counter-act some of their magic, the following Amalia gathered and deployed from Laurelthirst, some suspicious (though welcome) help from suspiciously new arrivals, and of course, House Guildulf throwing their own into the fray to ally with the vampires for this confrontation.
A unity the likes of which Montica has never truly seen.
As the sun rises, there are few left who are able to fight at all; the rebels are beaten, and even the forces built up by both the vampires and werewolves are exhausted or diminished, leaving no one able to take advantage. Citizens of both sides flee indoors, and the remaining rebels are forced to vanish into the woods once more, weakened and unable to strike again any time soon. But there are still repairs to be done, physically and otherwise. Will this unity last beyond tonight? Will young love and youthful hope prevail? Those are the questions that settle over a weary Montica, as light pours into the city once more.
And then, the world begins to fade, static taking over the senses, as the Editors return to the Library.
Welcome back, Editors
It looks much the same as they left it, though the makings of a masquerade are no longer arranged as finely, a few scorch marks here and there, and for some reason there’s some amazing optical illusions on the floor panelling that makes them look like actual manhole covers. Alas, no sewers lay beneath. It may still take Actors a bit of time to shake off the old-new memories, and for some reason the fluorescent lighting seems harsher on the skin than it has any right too. Good thing that the stacks cast long shadows.
The customary tea cart is set up in the Lobby again, and it seems some improvements have been made. The coffee still isn’t strong, but’s far more drinkable than it has been, and there’s an added decaf option now! The tea has still been overstepped, and the stale cookies have been replaced by scones that are hard as rocks, but clearly someone’s getting the message that there are improvements needed. Clearly the tea cart was the place to start.
If someone for some reason doesn’t want stale scones, there’s also a child sized food truck in the lobby, with a sign out front boasting a variety of tamales, including: black beans and cheese, birria, chicken, fire scorpion, man suffering to death via battle wound, and beef. Upon approach, what look like fuzzy puppets pop up to… take your order? They don’t say much, or rather, they make a single noise over and over that seems to be them communicating, but the tamales are good. Just… don’t try to look in the truck. They’ll screech, vanish, and then no tamales for you.
Meanwhile, the bulletin board has a cheerful sign decorated with colorful blocks, declaring: “Join us in the Children’s Area for Lego Club!” Upon locating the room in question, Editors will discover boxes among boxes of legos of various shapes and sizes. There are some ‘how to’ guides for various builds (including a ‘research space ship’ and a ‘vampire’s castle’), but also plenty of encouragement for people to make their own creations! Unlike normal creations, these will actually stick around for a while after they’re finished, and there’s a nice little table where people can display and share what they’ve made.
The Assistants, it seems, are nowhere to be seen: the ‘back in 5’ sign is still in place at the help desk. Still, even without their ‘helpful’ guidance, some facets of the Library may come more easily to some in the aftermath of Montica’s troubles.
[Due to the resolution of the Story, any skills tagged Archivist in the skill tree cost one less skill point (minimum of 1) until the next Story. This can stack with a normal Archivist bonus!]

no subject
(Sorry. Guilliman's said just enough that she's decided she does not like the Emperor.)
no subject
no subject
She'd talked to gods, met the man she'd been written to love (and fallen in love for real), traveled from Salzstadt to the Beauforte to Viacruz to Vinyedo, fought a sea monster where it shouldn't have been, met Hikaru and fallen in love a second time, been drawn into the library...
When she thought about it that way, she'd really done a lot, hadn't she?
no subject
no subject
no subject
"I feel the same. I wonder..." Oh is it Suspicion O 'Clock? "In my world, there are...creatures. That feed on the pain and suffering of living things. I wonder if the Library itself is similar."
no subject
(And indeed, she is going to defend him based on your words earlier to your very own son not so long from now.)
She's quiet for a moment after that before she says, "Before the story happened, Hikaru says he said this to the man called X: I will gladly sacrifice Romeo and Juliet on the altar of reconciling the Montagues and Capulets and avoiding blood in the streets of Verona if that is actually necessary, but I would not start with the assumption that two teenagers needed to die for the sins of the fathers."
Her imitation of Hikaru's deep, plummy, and somewhat monotone voice is very good—but then she did just admit earlier that she and he are lovers.
"And then the very next story found me in Juliet's role with him in no way my Romeo—and with enough reflected and distorted from my own life that I wept so. So yes, I can believe your theory about the library feeding off of pain. For surely just between the three of us, it has already supped on more than enough to feed it."
no subject
His mouth makes a variety of shapes as she talks, none of them particularly happy. "That," he says, after a moment, "suggests a darker meaning to these 'recommended readings'. That we are overheard, and, possibly, plotted against. I had spoken to Kaiisteron, about the possibility that our placement in the story, as those who retain ourselves or are in the body and mind of others--as you and I were in Montica--is not random happenstance, but controlled by...some intelligence."
A longwinded way of saying 'sounds like this place overheard you two and decided to fuck with you', only, you know, diplomatically worded, and thus sounding less insane.
He risks brushing a finger against her hair, as an attempt to soothe. "I would be disconsolate, if I had been either party, in that circumstance." Crying for an hour in the garden? Reasonable! "I, however, have no sorcery to confront it, or confirm it, so it is only speculation," he sighs. No sorcery at all. His weapons are entirely in the materium.
no subject
She leans against that finger, sighing softly.
"Some kind of intelligence or perhaps some kind of automated process that sorts us without thinking about it. Neither is very good, I think."
no subject
"Do you have a theory about those who have disappeared?" Because he does, also. They're all terrible.
"Neither is good. But at least," At least, he snorts to himself, "some enter the stories as themselves. If we could find a way...." To mark each other, know each other...something. "It might stay our hands if, in a story, we would be set against each other."
no subject
She looks thoughtful. "Hikaru said that Sumire figure out how to use the journals they give us to communicate with each other even when we can't get to the bulletin board. I do not know what method she used, but she and Hikaru and his armsman Ser Duncan all did it during the Story, he says. So if one of them is Reading during the next story, perhaps we can all get in contact in that way. And perhaps more people can learn how. That could help couldn't it?"
no subject
"I will choose to hope they go home and that their return is to a good place." He shifts his weight. "I would return to calamity, but perhaps I would be better able to handle it." Perhaps he has learned things that would carry him better. He wished he had asked Guilliman more questions.
"That could help, if we are able. We can organize to keep our dear ones safe, as much as we can." He could handle safety from physical danger. She could probably handle the emotional part better.
no subject
She's quiet for a moment before saying, "If I am Acting again... if there is another woman named Sigrid in the story who looks a little like I did as your sister, that may be me. Because Sigrid is the name I was born with, even though I am Siobhan now."
no subject
"It is a terrible thing to live thinking it is all a machine in lockstep, with no choice or will at all." No wonder Curze was always so dour.
"If I am able, I will look for her. You." Listen, it's hard to keep this stuff straight. "When did you change your name?" He's always been Sanguinius, even before he could speak.
no subject
no subject
no subject
She looks up at him. "It's not strange for people in my world to take a nom du guerre if they decide to engage in the adventuring life. But I think I might keep Siobhan Greenwood for good after this."
no subject
But..."Are gods not evil where you're from?" Because Guilliman told him about the Gods of Chaos.
translation: mundane gods are real and created by humans; edmund is mundane jewish
She's quiet for a moment before adding, "I am sorry if the gods of your world are evil. But please believe me that not every god is."
no subject
"I had thought when I arrived that we were all from Terra, but from different places in time." That held true for his brothers, at least, which was what had started it. "But many are from places I've never heard of. It stands to reason that they are different."
"Just as someone spoke of daemons in his world. They are not the same as mine." He'll just quietly omit the name.
no subject
"I have," Siobhan says, quietly, "and so has Laina. She was given a ritual that let she and I talk to our patrons among the gods of Mundus. We used it to ask them questions we very much needed answer to as to the state of our world, which we soon found had been attacked. But those were the gods of Mundus that while much greater and more powerful than Mundanes or Terrans were still originally made by humans to care for our world."
She pauses, partly so that she can speak with the fragment of a god within her head.
"There are other worlds than these," she says. It has a feeling of a quotation. "Yes. I do not think we're all from the same stories. For whether or not we are from a real and tangible book or movie, every universe, every reality is and has its own story. Or so Gnomon tells us."
no subject
"We have no gods that are benign." Which isn't to say she's wrong just that...it sounded a lot nicer than his world. He sounds, if nothing else, almost wistful. 'Other worlds' makes sense. "Is Gnomon the name of one of yours?"
no subject