Unfinished Library Mod & NPC Account (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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unfinishedlibrary2026-01-09 07:42 pm
libraryassistants) wrote in unfinishedlibrary2026-01-09 07:42 pm
Entry tags:
- !library,
- bram stoker's dracula: mina harker,
- good omens: crowley,
- legend of zelda botw: link,
- maidensong magic: claire ryland,
- original: illarion,
- persona 5: sumire yoshizawa,
- the murderbot diaries: murderbot,
- the wonders of mundus: hikaru aozora,
- tortall: hisako godsup,
- warhammer: roboute guilliman,
- ~moonlit rivals
for all the world's a stage - LIBRARY LOG
Who: The Editors
What: The Library changes once again...
When: January 9- January 22
Where: The Library
Content warnings: Please put them in the comment headers!
The Assistants have vanished into their backroom once again, leaving only the increasingly unbelievable “Back In 5” sign on the Help Desk, but at least they have attempted to impart some knowledge on the Editors before departing (or… attempted to do anything but, depending who you ask). The customary tea cart with drinks and increasingly stale biscuits is parked in its usual spot, though it seems that the quality of the tea at least has improved some. (Still waiting on coffee improvement.)
There’s a new crafting setup in the Maker Space, a table with an iron and machine for making vinyl designs, along with the instructions on how to use it, and a stack of t-shirts in various sizes. Usually there’s something in the correct size, but, well, mistakes happen. While this addition to clothing is a boon, there is the problem that the t-shirts can’t be taken out of the room until some sort of design is put on them. Get creative! Show off your style! Or maybe just steal one of the shirts that are there for display purposes. It’s fine, the Library can make more.
In the second week as the Library begins to change once more, the Lobby’s wooden floor shines with extra polish. The walls make an odd creaking sound as they shift, warping into brick covered with velvet drapings in a rich, dark red. Gold thread twinkles in the stitches, a sense of opulence woven through. The sound of ballroom music drifts by and, while in the Lobby, characters will be taken by the unusual impulse to dance.
Outside, in the Garden, the day/night cycle has paused firmly on a cloudless night. A full moon hangs in the air - literally. About the size of a basketball, it follows the first person who enters the Garden; hovering a couple of meters above their head. A white aura spreads from them, powered by the moon, and those who are caught in its light will find themselves unable to speak anything but the truth.
When the person to whom the moon is attached leaves the garden, the moon and its aura will leave them; and the moon will attach to the next person to enter instead.
On the circulation desk, there is a sign: “This Week’s Recommended Reading: Twilight!” The accompanying sign up sheet waits next to it for those wishing to check it out- though some will receive the movie instead of the book, with no particular rhyme or reason to it. Periodically someone might also receive something else entirely. Whoops? The Assistants at least will fix that quickly.Richard will be embarrassed, while Phillip will be trying not to cackle.
While not advertised, various iterations of different stories will be available throughout the Library. In particular, someone seems to have left the projector in one of the meeting rooms running, with a variety of different recorded plays. These range from professional productions, to parodies, to what appear to be high schoolers (of which one production features a sixteen year old version of Phillip running around being an absolutely nuisance.
What: The Library changes once again...
When: January 9- January 22
Where: The Library
Content warnings: Please put them in the comment headers!
The Assistants have vanished into their backroom once again, leaving only the increasingly unbelievable “Back In 5” sign on the Help Desk, but at least they have attempted to impart some knowledge on the Editors before departing (or… attempted to do anything but, depending who you ask). The customary tea cart with drinks and increasingly stale biscuits is parked in its usual spot, though it seems that the quality of the tea at least has improved some. (Still waiting on coffee improvement.)
There’s a new crafting setup in the Maker Space, a table with an iron and machine for making vinyl designs, along with the instructions on how to use it, and a stack of t-shirts in various sizes. Usually there’s something in the correct size, but, well, mistakes happen. While this addition to clothing is a boon, there is the problem that the t-shirts can’t be taken out of the room until some sort of design is put on them. Get creative! Show off your style! Or maybe just steal one of the shirts that are there for display purposes. It’s fine, the Library can make more.
In the second week as the Library begins to change once more, the Lobby’s wooden floor shines with extra polish. The walls make an odd creaking sound as they shift, warping into brick covered with velvet drapings in a rich, dark red. Gold thread twinkles in the stitches, a sense of opulence woven through. The sound of ballroom music drifts by and, while in the Lobby, characters will be taken by the unusual impulse to dance.
Outside, in the Garden, the day/night cycle has paused firmly on a cloudless night. A full moon hangs in the air - literally. About the size of a basketball, it follows the first person who enters the Garden; hovering a couple of meters above their head. A white aura spreads from them, powered by the moon, and those who are caught in its light will find themselves unable to speak anything but the truth.
When the person to whom the moon is attached leaves the garden, the moon and its aura will leave them; and the moon will attach to the next person to enter instead.
On the circulation desk, there is a sign: “This Week’s Recommended Reading: Twilight!” The accompanying sign up sheet waits next to it for those wishing to check it out- though some will receive the movie instead of the book, with no particular rhyme or reason to it. Periodically someone might also receive something else entirely. Whoops? The Assistants at least will fix that quickly.
While not advertised, various iterations of different stories will be available throughout the Library. In particular, someone seems to have left the projector in one of the meeting rooms running, with a variety of different recorded plays. These range from professional productions, to parodies, to what appear to be high schoolers (of which one production features a sixteen year old version of Phillip running around being an absolutely nuisance.
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Trans man has beef with Jathleen Kowling Roanne, film at 11.
"And the war-forms of wererats are rodents of unusual size, like a large dog. I don't know where the extra mass goes and I'm afraid to ask."
no subject
Eventually someone is going to have to explain what being trans is to Kai and he's going to rub his face and mutter about this being why deciding gender by body parts is stupid.There's a confused tilt of his head at the 'female wizard' explanation, but he doesn't push on it. "Witches are just a type of magic user in my world," he says, "They use energies of the world, often with specialties. I have a friend who's more attuned to wind spirits, for example." He misses Ziede so much. "I don't think I've heard of wizards."
Kai makes a face. "I'm not sure I'd want to know either," he admits, "I suppose they could just be really... heavy?" He means dense, which... more or less amounts to the same thing.
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He laughs. "They do seem dense in many ways, yes. Heavier than they look. Often desperate and food-motivated and that makes them a kind of short-sighted. But not evil. Few things inherently are."
no subject
Kai tilts his head. "Few, true." He can think of at least one thing- but if it's a choice made, is it inherent?
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"I must remember that I am an academic in the field, and most mages work on instinct and practice without learning theory," he says. "I'm not talking about reading omens so much as I am extending my senses. Seeing things from a distance. Reading the emotions of objects. Memorizing books by reading them once. The closest thing to reading omens I might be talented with is using a deck of cards with symbolically dense illustrations to tease out things I should be thinking about, or cartomancy, reading of cards."
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He is especially curious about one thing, though. "I've known ways to look through an object, to see into its memory," he says- it's an imperfect art, certainly, but he has used it to great effect, "What emotions do they hold? Is it reflective of the people who carried them?"